Get ready to step into a world of timeless glamour, because designer Dennis Basso is taking us on a nostalgic journey with his latest collection. But here's where it gets intriguing: he's not just designing clothes; he's paying homage to the iconic 'It Girls' of New York's past, women like Pat Buckley, C.Z. Guest, and Nan Kempner, whose style still resonates today. And this is the part most people miss—Basso isn’t just recreating their looks; he’s capturing the essence of their confidence and sophistication, blending it with modern flair.
In an exclusive chat, Basso revealed, 'This season, I wanted to celebrate New York City and its unforgettable nights.' He drew inspiration from women who 'always looked to-the-letter perfect,' whether they were dressed casually or in full evening attire. Here’s the controversial twist: in an era where casual wear dominates, Basso is making a bold statement by focusing on evening wear—and he’s not stopping there. His collection also includes daytime looks for special occasions, proving that elegance isn’t reserved for after dark.
While reminiscing about legendary hotspots like the now-closed 21 and Le Cirque, Basso noted a shift in today’s fashion landscape. 'People are out and about, and I see more women embracing dressing up,' he said. His current muse? 'Strong, sophisticated women' who aren’t afraid to make a statement. But here’s the question: in a world that often prioritizes comfort over glamour, is Basso’s vision a throwback or a much-needed revival?
With a client list that includes Martha Stewart, Liza Minnelli, Jennifer Lopez, Mary J. Blige, and Carol Alt, Basso’s designs are no stranger to the spotlight. And now, his creations might grace the red carpet again—this time for the press tour of The Devil Wears Prada sequel. Stylists have already pulled looks for Meryl Streep, whose character, Miranda Priestly, famously wore a Basso coat in the 2006 original. Talk about full-circle moments!
The collection debuted at the Columbus Citizens Foundation on the Upper East Side, drawing a crowd of well-heeled attendees like Rosanna Scotto. But beyond the glitz, Basso’s work raises a thought-provoking question: Can we reclaim the art of dressing up in a world that’s gone casual? Let us know what you think in the comments—is glamour making a comeback, or is it a relic of the past?
